This essentially just swaps one dominant 7th chord with another six semitones away; in this case the original ii-V is Dm7 G7 , but with the substitution it is Dm7 Db7. To create the electric piano patch in your DAW, fire up Arturia Stage, a software emulation of the Fender Rhodes, and find the preset Smooth Jazz to use as a starting point. You can greatly affect the electric piano tone with velocity, so play your MIDI keys softly.
You can also adjust the virtual amps settings to manipulate the tone, so try lowering the bass EQ and boosting the treble to get a brighter sound. The first lead is a super-simple sawtooth patch using some slight filter pluck with a quick attack. The second patch, that plays the longer melody lines, uses pulse-width modulation to create a rich string-like sound. Mixed with the sawtooth wave, this contains lots of harmonic and sounds very bright. You can see the rest of the settings to finish the patch in the video below!
The beat in this song is sampled from The Montereys Get Down.
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Harmonically, the chord progression is a classic jazz ii-V-I cycle, with the V chord being voiced as an extended flat 9th chord R 3 5 b7 b9 , a great way to add some dissonance and jazz flavour to the progression. The b9 in the Eb7 chord creates a descending F-E-Eb voice through the progression.
Glitter features a retro-sounding synth lead reminiscent of the Ohio Players much sampled Funky Worm.
Turn on the chorus II effect and you have a basic Juno patch. To add the bright attack, simple raise both the envelope amount and decay faders to between 3 and 4. Use compression to smooth out the volume of the patch, and plenty of delay to give the patch a nice sense of ambience.
For the lead patch, use just the sawtooth wave with the HPF, cutoff and resonance faders all set to 5, and leave the chorus effect off for a dry sound. Ironically, this show would end up serving as the nexus point for both Tyler, The Creator and Earl Sweatshirt, one that has led each artist down a long-stewing path of self-awareness. Sweatshirt, of course, took a dimly lit path. His first post-Samoa project Doris —named for his late grandmother who passed shortly after its release—draped his dense lyrical displays in the fog of post-fame anxiety and generational trauma.
The beats were darker and the rhymes were condensed and cutting, a firm look in the mirror after relapsing into drug addiction while on tour months prior.
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You can't really start living until you can live with yourself. The Earl of has mended his relationship with his mother Cheryl Harris and kicked his drug addiction, but was denied a heart-to-heart with his estranged South African poet father Keorapeste Kgositsile, who passed away suddenly this past January. Time is a sea with choppy waters, and Earl is both content and self-aware enough to be the wind in his own sails. As for Tyler, The Creator, his path came with a bit more resistance.
He had the clothes, the cars, and the money, but behind it all, he was lonely as fuck. Down this week. Soundtrack Actor Producer. Filmography by Job Trailers and Videos. Binge-worthy Streaming TV Series. Share this page:. In Memoriam Stars We've Lost.
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