The question mac miller sample

Spoon's Britt Daniel and the Very Serious Art of the Greatest Hits Album

Stolen Youth bolstered the voice of Vince Staples, a great rapper who, at the time, was hesitant about centering his focus on his art. Two years before Vince's bleak, vital Summertime '06 , Miller says it took ample coaxing to even get him in a studio; he handed the Long Beach MC a collection of beats under his production pseudonym Larry Fisherman "because that was the only way to fucking get him to rap," and the collaborative mixtape Stolen Youth was born. Privately, the comfort of the home studio made it conducive to more than just good music.

You can disappear. We actually shot a movie.

Miller became wary of the party life and his role as a mascot for it in the spring of He also felt like a terrible role model. Miller pecked away at the body of songs that would become GO:OD AM over two years, obsessed with making his proper comeback album his best.

I ask why Mac has elected to open this new chapter of his career in New York City, suspecting that the dense, hectic Big Apple is an urban antithesis to the seclusion of the LA hills. Coming to New York was me trying to get a new scene to look at out the window every day.

The only way to disappear here is amongst people. I wanna find a dope group of people to work with here.

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I just have to do whatever I can to be as good as I can. There are bound to be wild nights in a new city, but never again at the expense of his livelihood.

Turn down drugs I mean… smoke some weed, drink some beer, some liquor. I would rather sleep with my girl than with a bag of dope. Craig Jenkins came for a steak, and he left with the cow. Follow him on Twitter. Jessica Lehrman is a photographer based in Brooklyn. Follow her on Instagram. The green-eyed colored man do the knowledge who claims you're a racist if he's not in your top 10 - tongue in cheek or otherwise.

I must be a card-carrying bigot, then, big boy, because all that fake deep s--t you was spitting on 'Faces' couldn't lick the bottom of DOOM's cereal bowl , word to Jeff Jank. He can rap, but so can the crackhead on my block who kicks himself around in a wheelchair, as long as I stop to listen.

This self-indulgent bulls--t doesn't fly anywhere but in the face of better, more attention-deserving music today. Take those looking-in-the-mirror raps home to momma, Macaulay.

Luckily, he's friends with Vince Staples, and 9th Wonder gifted the two of them one of his best beats in recent years. It's a fascinating choice - where Stud Doogie prefers the slightly staccato nature of the quicker strings, 9th opts for the slower sequence only seconds later.

That's how precise dope producers are. Both beats are extraordinary. Both deserve endless props for sampling this obscure sample almost ten years apart from each other.

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